meandering thoughts https://phoebemaxalice.cargo.site meandering thoughts Mon, 15 Dec 2025 15:40:12 +0000 https://phoebemaxalice.cargo.site en Nav https://phoebemaxalice.cargo.site/Nav Mon, 15 Dec 2025 15:40:12 +0000 meandering thoughts https://phoebemaxalice.cargo.site/Nav &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; ︎photographsIMG ︎toe dipping, mind slippingAV ︎foraging spaces of dance (MA)TXT ︎keeping it locked (MSc)AV+TXT ︎and i can still feel your skin breathe next to me (WIP)IMG+TXT ︎trailling across my kitchen counter (WIP)IMG+TXT ︎thoughts for food IIIMG+TXT ︎on past lives lived and imaginedTXT ︎to have tasted itIMG+TXT selected photographs https://phoebemaxalice.cargo.site/selected-photographs Fri, 14 Jul 2023 03:29:30 +0000 meandering thoughts https://phoebemaxalice.cargo.site/selected-photographs city series (2016-)<img width="631" height="788" width_o="631" height_o="788" 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data-src="https://freight.cargo.site/t/original/i/01981b76a221f6a9408ee2a5273f2a1b161abb503025a46a9fae9bf3e109d745/9.-Ella-on-the-rooftop-in-Brussels.jpg" data-mid="187316312" border="0" src="https://freight.cargo.site/w/996/i/01981b76a221f6a9408ee2a5273f2a1b161abb503025a46a9fae9bf3e109d745/9.-Ella-on-the-rooftop-in-Brussels.jpg" /> yihun (2024/25)<img width="2160" height="3360" width_o="2160" height_o="3360" data-src="https://freight.cargo.site/t/original/i/c0811640fee08fd7ae2dfd4b06f1e05d1e1ff81a15571f014be4664bbf6ee8f3/img20241115_18451092.jpg" data-mid="221880143" border="0" src="https://freight.cargo.site/w/1000/i/c0811640fee08fd7ae2dfd4b06f1e05d1e1ff81a15571f014be4664bbf6ee8f3/img20241115_18451092.jpg" /><img width="2168" height="3360" width_o="2168" height_o="3360" data-src="https://freight.cargo.site/t/original/i/94ce1ab803a9e6df2b7fbd3c7e7246fc51d660c0d60538aced0f8d1174a483d3/img20241115_18363430.jpg" data-mid="221880142" border="0" 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data-src="https://freight.cargo.site/t/original/i/b891691a5480576a7f99701b90876f2f66180d2eeedb6fecc47a79120fa304be/img20250128_14010351.jpg" data-mid="225676366" border="0" src="https://freight.cargo.site/w/1000/i/b891691a5480576a7f99701b90876f2f66180d2eeedb6fecc47a79120fa304be/img20250128_14010351.jpg" /><img width="2152" height="3360" width_o="2152" height_o="3360" data-src="https://freight.cargo.site/t/original/i/64328b2d941f8e91727e4a591e92b3a4381cbf755114560ba4d991f26e324668/img20241115_19044137.jpg" data-mid="221880149" border="0" src="https://freight.cargo.site/w/1000/i/64328b2d941f8e91727e4a591e92b3a4381cbf755114560ba4d991f26e324668/img20241115_19044137.jpg" /><img width="2041" height="3163" width_o="2041" height_o="3163" data-src="https://freight.cargo.site/t/original/i/7aac8df91f76e3434cf3a0c324245f4ece7a2d02021c9739fefcf4f84be40549/img20250128_14311760.jpg" data-mid="225676220" border="0" src="https://freight.cargo.site/w/1000/i/7aac8df91f76e3434cf3a0c324245f4ece7a2d02021c9739fefcf4f84be40549/img20250128_14311760.jpg" />gunditjmara country (2023) <img width="2397" height="3602" width_o="2397" height_o="3602" data-src="https://freight.cargo.site/t/original/i/3d713a55a5a7791d5f28ccfc71f7c629fbfc122d1831f19e5babe513a61b2d16/000056.JPG" data-mid="198392711" border="0" src="https://freight.cargo.site/w/1000/i/3d713a55a5a7791d5f28ccfc71f7c629fbfc122d1831f19e5babe513a61b2d16/000056.JPG" /><img width="2397" height="3602" width_o="2397" height_o="3602" data-src="https://freight.cargo.site/t/original/i/e55dc73bc76bac6434102e557f66c7005d4c164ae65d6a49152299020a195d56/000062.JPG" data-mid="198392703" border="0" src="https://freight.cargo.site/w/1000/i/e55dc73bc76bac6434102e557f66c7005d4c164ae65d6a49152299020a195d56/000062.JPG" /><img width="2397" height="3602" width_o="2397" height_o="3602" data-src="https://freight.cargo.site/t/original/i/41c7821d3dc638316b222c6e7bb5d24b885391c99b6e55bd9672c67c99e7db69/000057.JPG" data-mid="198392713" border="0" src="https://freight.cargo.site/w/1000/i/41c7821d3dc638316b222c6e7bb5d24b885391c99b6e55bd9672c67c99e7db69/000057.JPG" /><img width="2397" height="3602" width_o="2397" height_o="3602" data-src="https://freight.cargo.site/t/original/i/8fd1f82d996904ad5d2cb77358534342d97e48db6c2bb17dd1d12defbdcbbb6c/000060.JPG" data-mid="198392707" border="0" src="https://freight.cargo.site/w/1000/i/8fd1f82d996904ad5d2cb77358534342d97e48db6c2bb17dd1d12defbdcbbb6c/000060.JPG" /><img width="2397" height="3602" width_o="2397" height_o="3602" data-src="https://freight.cargo.site/t/original/i/0e4ccbdff81b34130d16d42baef0a772b1c0f7ccde0da3c81badc75e627ec216/000058.JPG" data-mid="241860306" border="0" src="https://freight.cargo.site/w/1000/i/0e4ccbdff81b34130d16d42baef0a772b1c0f7ccde0da3c81badc75e627ec216/000058.JPG" /><img width="2397" height="3602" width_o="2397" height_o="3602" data-src="https://freight.cargo.site/t/original/i/b9bfa29b114c332addcf7c1895683ab074fb9954ba2dcafd8f93e8391963e0a2/000052.JPG" data-mid="198392702" border="0" src="https://freight.cargo.site/w/1000/i/b9bfa29b114c332addcf7c1895683ab074fb9954ba2dcafd8f93e8391963e0a2/000052.JPG" /> gadigal land (2023-)<img width="2048" height="3089" width_o="2048" height_o="3089" data-src="https://freight.cargo.site/t/original/i/a2079b38870be134873f90c630873428fef4aa72a029f0155cfa08e954f5efa5/000080840012.jpg" data-mid="191077121" border="0" src="https://freight.cargo.site/w/1000/i/a2079b38870be134873f90c630873428fef4aa72a029f0155cfa08e954f5efa5/000080840012.jpg" /><img width="2048" height="3089" width_o="2048" height_o="3089" data-src="https://freight.cargo.site/t/original/i/7ba1a10c636bfa9f08af0389a83b7bac49f8d71497a07d119da14ff562ed6f38/000080840010.jpg" data-mid="191077110" border="0" src="https://freight.cargo.site/w/1000/i/7ba1a10c636bfa9f08af0389a83b7bac49f8d71497a07d119da14ff562ed6f38/000080840010.jpg" /><img width="2048" height="3089" width_o="2048" height_o="3089" data-src="https://freight.cargo.site/t/original/i/833c4975185e2344930fde3b8c26aeb8746dd872f82cda9dd291c508c1d95c9f/000080840006.jpg" data-mid="191077107" border="0" src="https://freight.cargo.site/w/1000/i/833c4975185e2344930fde3b8c26aeb8746dd872f82cda9dd291c508c1d95c9f/000080840006.jpg" /><img width="2043" height="2890" width_o="2043" height_o="2890" data-src="https://freight.cargo.site/t/original/i/45085a23cd321d3319b4c486f10338df20488e7f33d4736a70bef7db8977b440/000080840008.jpg" data-mid="191236601" border="0" src="https://freight.cargo.site/w/1000/i/45085a23cd321d3319b4c486f10338df20488e7f33d4736a70bef7db8977b440/000080840008.jpg" /><img width="2048" height="3089" width_o="2048" height_o="3089" 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/><img width="2048" height="3089" width_o="2048" height_o="3089" data-src="https://freight.cargo.site/t/original/i/75bf7be595dddf926ac09b24c16ec9bf0fb4eb9ea2898150732a2fad8c19d4b4/000080840016.jpg" data-mid="191077129" border="0" src="https://freight.cargo.site/w/1000/i/75bf7be595dddf926ac09b24c16ec9bf0fb4eb9ea2898150732a2fad8c19d4b4/000080840016.jpg" /> lutruwita (2023) <img width="2397" height="3602" width_o="2397" height_o="3602" data-src="https://freight.cargo.site/t/original/i/df3d7ef07be972c5ff6318650af4dbbc93d2f96f7d7b423f79479328de53eb28/000037.JPG" data-mid="241860302" border="0" src="https://freight.cargo.site/w/1000/i/df3d7ef07be972c5ff6318650af4dbbc93d2f96f7d7b423f79479328de53eb28/000037.JPG" /><img width="3602" height="2397" width_o="3602" height_o="2397" data-src="https://freight.cargo.site/t/original/i/ede69152b19be819004f54c4d32d7f4640d380aedee33a700238ef672ee49d1a/000038.JPG" data-mid="241860303" border="0" 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data-src="https://freight.cargo.site/t/original/i/dc81fa402238a06708c9d772d5967bbefc91f4c731b3dea8559ba30c5de0d343/000062.JPG" data-mid="241860309" border="0" src="https://freight.cargo.site/w/1000/i/dc81fa402238a06708c9d772d5967bbefc91f4c731b3dea8559ba30c5de0d343/000062.JPG" /> toe dipping, mind slipping https://phoebemaxalice.cargo.site/toe-dipping-mind-slipping Tue, 08 Apr 2025 15:39:54 +0000 meandering thoughts https://phoebemaxalice.cargo.site/toe-dipping-mind-slipping <img width="2958" height="1968" width_o="2958" height_o="1968" data-src="https://freight.cargo.site/t/original/i/97cced8c4d2f4198fc74d5b677f8d79844f6d44eaf9e98a061a7f05874fc22a6/000007-2.JPG" data-mid="229484550" border="0" src="https://freight.cargo.site/w/1000/i/97cced8c4d2f4198fc74d5b677f8d79844f6d44eaf9e98a061a7f05874fc22a6/000007-2.JPG" /> <img width="3602" height="2397" width_o="3602" height_o="2397" 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width_o="2164" height_o="1440" data-src="https://freight.cargo.site/t/original/i/483f401cafbaea466b84c7a011e3ebd74add723ec5c3f0c3e1160cfff45839aa/000001-copy.JPG" data-mid="245342290" border="0" src="https://freight.cargo.site/w/1000/i/483f401cafbaea466b84c7a011e3ebd74add723ec5c3f0c3e1160cfff45839aa/000001-copy.JPG" /> <img width="3602" height="2397" width_o="3602" height_o="2397" data-src="https://freight.cargo.site/t/original/i/97713ed6d598108157005fbd6a84256e9ffed54dd49e674124b1f3be4bb45cee/000005.JPG" data-mid="245632947" border="0" src="https://freight.cargo.site/w/1000/i/97713ed6d598108157005fbd6a84256e9ffed54dd49e674124b1f3be4bb45cee/000005.JPG" /> <img width="948" height="1425" width_o="948" height_o="1425" data-src="https://freight.cargo.site/t/original/i/85ebe03d9a34e8bcaeadf1f417be518de002c5719407b8354228c69471753ce9/000019-2.JPG" data-mid="245795799" border="0" data-scale="45" src="https://freight.cargo.site/w/948/i/85ebe03d9a34e8bcaeadf1f417be518de002c5719407b8354228c69471753ce9/000019-2.JPG" /> foraging spaces through dance (MA thesis/article/zine) https://phoebemaxalice.cargo.site/foraging-spaces-through-dance-MA-thesis-article-zine Fri, 14 Jul 2023 03:29:11 +0000 meandering thoughts https://phoebemaxalice.cargo.site/foraging-spaces-through-dance-MA-thesis-article-zine Notes1 This must be the Space (original thesis title, 2021) was the thesis for my MA Cultural Musicology, supervised by Dr Oliver Seibt at the University of Amsterdam 2 the article format is available in vol 16.1 Spaces of Dancing of the open-access e-journal&nbsp; for the study of electronic dance music culture dancecult3&nbsp; core themes are space construction, urban geography and history, social spaces and the mapping their of, club cultures and berlin as club mecca. they are anaylses through the lenses of sociology and cultural musicology This Must Be The Space: Mapping Spaces of Post-1989 Berlin and their Relation to the Local Club Culture // Foraging Through Spaces of Dance&nbsp; In The Mushroom at the End of the World, Anna Lowenhaupt Tsing contemplates life beyond capitalist desire and destruction through an ethnography of the matsutake mushroom. She opens her prologue with the words:&nbsp; “What do you do when your world starts to fall apart? I go for a walk, and if I’m really&nbsp; lucky, I find mushrooms. Mushrooms pull me back into my senses, not just - like flowers -&nbsp; through their riotous colours and smells but because they pop up unexpectedly, reminding me of the good fortune of just happening to be there. Then I know that there are still pleasures admits the terrors of interdeterminacy.” (p 1)&nbsp; Although her analysis centres around the life path of the matsutake mushroom, it shows, if not calls for, a collaborative restructuring and resilience beyond its mycelium. The matsutake mushroom with its dystopian habitat of choice, its idiosyncratic commercial routes and high-end culinary status, sheds light on the possibility of drastic change through the loss of form or identity resulting in a regeneration that may have seemed previously impossible. The year 1989 saw the introduction of a new sense of precarity due to the imminent collapse of the known polarised world order. If a century of exhilarating globalised warfare had not already been enough of destabilisation to the world, then the last decade of the twentieth century manifested the instability in a grand manner. Despite all this, the Nineties are a pinnacle of hope in popular cultural memory. A glimpse of the promised progress settling in, a glimpse of resurgence from the ruins of the recent active and passive wars. When I initially read Tsing’s book, the metaphorical mushroom that came to my mind was the place I grew up in, and its cultural rebirth after a trouble-ridden (mid-)twentieth century. This place is Berlin, Germany. Combining urban and cultural history, this thesis turned article examines the physical and sociological spaces past and present that enable(d) clubs to fruit like mushrooms do in autumn in Berlin. Fungi sprout in spaces that seem random at the surface, but underneath, a vast, interconnected network of mycelia is reveals their connections. The spaces of Berlin, Europe and club culture are linked with the urban fabric left behind after the GDR’s fall to argue that the underlying mycelium of physical and sociological spaces caused the mass sporing of clubs only in those spaces that were fertile for redefinition and demanded celebration in the form of danced-through nights. read the full article here keepin it locked (multi-modal work/ MSc thesis) https://phoebemaxalice.cargo.site/keepin-it-locked-multi-modal-work-MSc-thesis Fri, 14 Jul 2023 03:29:14 +0000 meandering thoughts https://phoebemaxalice.cargo.site/keepin-it-locked-multi-modal-work-MSc-thesis <img width="3667" height="5573" width_o="3667" height_o="5573" data-src="https://freight.cargo.site/t/original/i/75bbf4a20579cef2c284c8f7dde1a167277127be576d450f25c015411bf594ac/city-as-context_A3.jpg" data-mid="185882575" border="0" src="https://freight.cargo.site/w/1000/i/75bbf4a20579cef2c284c8f7dde1a167277127be576d450f25c015411bf594ac/city-as-context_A3.jpg" /> <img 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data-src="https://freight.cargo.site/t/original/i/fd8ad504c7b04040483eccdf2995ce9f839949cd32dec5ba406ac064790ae029/Screenshot-2023-07-24-at-1.07.30-pm.png" data-mid="185882630" border="0" src="https://freight.cargo.site/w/1000/i/fd8ad504c7b04040483eccdf2995ce9f839949cd32dec5ba406ac064790ae029/Screenshot-2023-07-24-at-1.07.30-pm.png" /> <img width="2760" height="4210" width_o="2760" height_o="4210" data-src="https://freight.cargo.site/t/original/i/33c4fc4f27fb746a9174afa439a920fd81e57b12b55a512d8a9d512f9863d525/11PM_winding-and-sitting-down_A2.jpg" data-mid="185882574" border="0" src="https://freight.cargo.site/w/1000/i/33c4fc4f27fb746a9174afa439a920fd81e57b12b55a512d8a9d512f9863d525/11PM_winding-and-sitting-down_A2.jpg" /> <img width="1156" height="1062" width_o="1156" height_o="1062" data-src="https://freight.cargo.site/t/original/i/3c88926c6c89b926db8a23ff0472260cf126b35ab76459fa1343d137214260e1/Screenshot-2023-07-24-at-1.53.02-pm.png" data-mid="185883613" border="0" src="https://freight.cargo.site/w/1000/i/3c88926c6c89b926db8a23ff0472260cf126b35ab76459fa1343d137214260e1/Screenshot-2023-07-24-at-1.53.02-pm.png" /> Notes1 keeping it locked &nbsp;is a multimodal ethnography of independent online radio practices and communities in Amsterdam, The Netherlands. it was researched and produced in 2022 under the supervision of Dr. Tina Harris within the framework of a MSc in Cultural and Social Anthropology, specifically the Visual Anthropology track at the University of Amsterdam. Keeping it Locked: Transgressive Practices in the Independent and Online Radio Community in Amsterdam&nbsp; introduction (access full work + thesis here) NOURISHMENTS The sticky juice of a passion fruit is dripping through my fingers down my wrist and onto the floorsun rays are tickling my skinmy eyes are squintingalmost ready to take on another day,a day drenched in the fragrance of flowering tomatoes The scent of summer rain is slowly making its way into my room, sweet yet earthy like young grassthat you’ve just laid down into drown out any thoughtsof discontentI am listening to raindrops out and inside on NTS Blue hour cigarettes contemplating about walking deep into the night the steam of my tea is lingering in front of meI’m staring into the trees aheadnot sure where my minds really at Phoebe Janssen, May 2022 NTS (short for ‘nuts to soup’) is one of the most expansive non-commercial radios currently broadcasting. Whilst the Hackney-born online station is still not for profit and mostly funded through a voluntary membership service starting at 2.99£, it now has studios in Los Angeles and Manchester, two live streams operating 24/7, a seemingly endless archive of shows and genres and more than 1.5 million monthly listeners in early 2020 (Stassen, 2020). In the following months their listenership almost doubled (Gavin, 2020). Independent online radio had steadily grown in the years since NTS started streaming both in and outside of the United Kingdom. In the Netherlands, Red Light Radio (RLR) had actually been broadcasting a year longer than NTS, starting in 2010. For ten years, RLR had been broadcasting daily shows out of a former sex work window spot in Amsterdam’s (in)famous red light district. With the rapid gentrification of and subsequent hike in rent prices - 2021 marked the highest increase in rent in Amsterdam in eight years (Remie, 2022) - in the neighbourhood becoming more and more amplified during the Covid-19 pandemic, many of the surrounding artist studios had to leave the location. Ultimately, the radio station at the heart of the city and members of the adjacent electronic dance music scene found themselves looking for a new space too. In June 2020, they were set to move, but due to allegations of racist and other discriminatory behaviours against their sex worker neighbours and visitors by the owners and studio veterans, the station stopped their daily programming and focused exclusively on their record label (Hinton, 2020; Pisart, 2020). &nbsp; During the various lockdowns in the following years, many music aficionados across the city were aching to fill the gap in the city’s musical landscape that RLR had left behind. A gap to share music, explore music preferences and practice and/or showcase radio-making skills. Elsewhere in The Netherlands, other radio stations had also been active for years, but the landscape of broadcasters grew exponentially - especially in Amsterdam - throughout 2020 and 2021. I emphasise the notion of a landscape here as many of these stations brand themselves through their physical location (i.e. the street they are based on or the neighbourhood) in the city and through the genres and languages they facilitate that have strong associations with Amsterdam. They collectively build a sounded landscape of what the city has to offer musically and how this differs across the city. Similar to a landscape which is composed out of various different layers of geological and manmade materials, the station’s contributions engage with and build upon each other rather than competing for the best programming or most output. Programmers, technicians, DJs and hosts all move between multiple stations based on their non-exclusive relationships. There is a type of cross contamination occurring parallel by the individual approaches of each radio station. Some stations had a presence before and expanded, like Tempo Não Para (TNP), others where covid inspired projects to give employees and DJs something to do when everything else was closed, like the temporary stations from clubs like Lovelee, Bret (Muto Studio, now a general creative platform), or the still ongoing projects of the brewery Oedipus (Radio Oedipus) and club Radio Radio (RadioRadioFM, short: RRFM). Less formal and often student-led stations that started through Facebook or Youtube livestreams like Spuistreet Records, Slim Radio and Radio Weesper existed before covid but gained more attention alongside the other stations. In summer 2020, roughly a month after RLR’s shutdown, radio Echobox started broadcasting. These stations, whether still broadcasting or only accessible through archives, can be categorised into three groups. The first are those exclusively producing electronic dance music content to expand DJs portfolios like Spuistreet, Lovelee, Muto and Weesper. The second also has a focus on electronics but is not afraid to venture into other genres but overall focusses on set-style shows with very limited talking. TNP and RRFM are the frontrunners of this broadcasting style in Amsterdam but Oedipus and RLR fit into this category too. Slim Radio and Echobox are playing more left field shows, they are likely to be conceptual, more talking (both scripted and chatty) and musically almost anything goes. JajajaNeeneenee is the outlier amongst the stations, they have short-span residencies by artist and only broadcast once or twice a month. Together, all these new stations created a new audio landscape in the city of Amsterdam through collective effort and online broadcasting practices. This thesis will explore how they are reinterpreting the medium of radio and what independent online and community broadcasting looks and sounds like in the Dutch capital today. To do so, the first chapter will provide a definition of radio as a medium in constant transition from traditional am/fm and state-subsidised broadcasting to online and independent radio stations accessible beyond borders, with new elements such as archives and video streams. The notion of transgression will be introduced and theorised here in order to address those changes in practices and then applied to the ethnographic findings of my fieldwork period. The second chapter contextualises these findings in the anthropological discourses surrounding radio and urban anthropology. Lastly, the third chapter will be a reflection on my multimodal exhibition. As this written thesis cannot provide an auditory experience, the exhibition will give space to the makers’ actual voices about their varied approaches to radio making. It will also be location-specific to Amsterdam and explore why they chose radio as medium and what type of radio they listen to themselves. It also showcases and interlinks them and the different stations and other external spaces related to radio in the city through a collage-style,&nbsp;multiple-exposure photography series that underlines the transgressive community-making efforts beyond physical stations and national borders. Together these three elements produce a work that address radio making in Amsterdam on a theoretical, personal and collective level. Each medium is utilised to highlight a different aspect according to their affordances, following the line of thought of the different, transgressive approaches to radio making for different purposes in Amsterdam. Before presenting and analysing my research I would like to acknowledge that this work has been produced from a position of both an insider and outsider of this community or music scene. As a former worker in the club culture (a scene broadly overlapping with the radio makers as will be shown in the later passages) of Amsterdam and current avid visitor, or dancer really, and trained musicologist, a great deal of my informants have been long-term friends or acquaintances before this research. My access to many of these spaces was eased because of these contacts and prior knowledge of the community. Additionally, my fluency in Dutch and English, the two main languages of this community, have enabled me approach a variety of makers. Nonetheless, my status as an International migrant/student always shapes my interactions by blending in easier in equally international crowds. It also draws my attention towards those who may be Dutch but have more international experiences than the average citizen. I actively tried to work against this personal bias but I cannot claim that my selection of informants was always truly objective because of this. Coming back to my prior training, the conversation I had were influenced by my theoretical training in cultural musicology and personal love for music practices. I would therefore say that my analysis is neither exclusively anthropological nor is it a fly-on-the-wall research style. I strongly believe that having access to a community prior to the research is beneficial and that drawing from multiple disciplines whilst actively reflecting on these influences helps diversify the perspectives on my ethnographic findings. Thus, these disclaimers are aimed to work as contextualisation of myself, the researcher at heart of this project, not to diminish its credibility. read the full thesis here + listen to the soundscape snippets here + look at the phototgraphic works here skin https://phoebemaxalice.cargo.site/skin Mon, 15 Dec 2025 15:12:51 +0000 meandering thoughts https://phoebemaxalice.cargo.site/skin <img width="1445" height="2245" width_o="1445" height_o="2245" data-src="https://freight.cargo.site/t/original/i/a73b573c03d36dd22560b9f302c4eabec54f06f9d14b9a7ffb75b4031b14a8cd/vax-marks.jpg" data-mid="241860724" border="0" src="https://freight.cargo.site/w/1000/i/a73b573c03d36dd22560b9f302c4eabec54f06f9d14b9a7ffb75b4031b14a8cd/vax-marks.jpg" /> <img width="2118" height="1363" width_o="2118" height_o="1363" data-src="https://freight.cargo.site/t/original/i/c0563b0cbd456d8aa501f5d5b0c0a265261064c513c7c218f3a9a7b7b7925377/hand-thigh.jpg" data-mid="241860715" border="0" 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height="1351" width_o="2100" height_o="1351" data-src="https://freight.cargo.site/t/original/i/4098881ea003c1bbeb36d4c34f2163b3e347f88c72af9844e15eae1bd33c9217/middle-finger--thumb--leg.jpg" data-mid="241860718" border="0" src="https://freight.cargo.site/w/1000/i/4098881ea003c1bbeb36d4c34f2163b3e347f88c72af9844e15eae1bd33c9217/middle-finger--thumb--leg.jpg" /> <img width="872" height="1339" width_o="872" height_o="1339" data-src="https://freight.cargo.site/t/original/i/2bf5dbadc59e1fb0e0cd1d39039352958f8d991b6767b181baeaf163d65329e6/hands--knees.jpg" data-mid="241860716" border="0" src="https://freight.cargo.site/w/872/i/2bf5dbadc59e1fb0e0cd1d39039352958f8d991b6767b181baeaf163d65329e6/hands--knees.jpg" /> <img width="1117" height="1679" width_o="1117" height_o="1679" data-src="https://freight.cargo.site/t/original/i/6eb4097f9db40145a9d6e6878a9ce6378e43cc9c9d318201302f3461dd32c7b4/000047.JPG" data-mid="245216787" border="0" 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data-mid="245216785" border="0" src="https://freight.cargo.site/w/839/i/a30b78e9d1ea58ac40c85385f28752ddb0c2ea6325ace610fb300ab7e843ae3a/000046.JPG" /> <img width="683" height="1027" width_o="683" height_o="1027" data-src="https://freight.cargo.site/t/original/i/6ab6fb91aeea885264561f5445d9717c1efe0a147284b0167eeea5d031e3e00f/elbow-ditch-n-flowers.jpg" data-mid="241860711" border="0" src="https://freight.cargo.site/w/683/i/6ab6fb91aeea885264561f5445d9717c1efe0a147284b0167eeea5d031e3e00f/elbow-ditch-n-flowers.jpg" /> thoughts for food pt 2 (zine) https://phoebemaxalice.cargo.site/thoughts-for-food-pt-2-zine Fri, 14 Jul 2023 03:29:22 +0000 meandering thoughts https://phoebemaxalice.cargo.site/thoughts-for-food-pt-2-zine Notes1&nbsp; this is the second editon of a writings + recipe zine I first made in 2020. this version was expanded with photos and printed in a limited run of 10 copies.2 all texts and recipes are from 2023, mostly written and created in Melbourne/Naarm, Australia &nbsp; &nbsp;thoughts for food II: a zine on snacks and thoughts <img width="2068" height="2805" width_o="2068" height_o="2805" data-src="https://freight.cargo.site/t/original/i/2e27e1224934699ab15c11ac6a35e956d983dc4adf67f5e34efcb5e749476691/000080840023.jpg" data-mid="191076001" border="0" src="https://freight.cargo.site/w/1000/i/2e27e1224934699ab15c11ac6a35e956d983dc4adf67f5e34efcb5e749476691/000080840023.jpg" /> WALKING It’s Friday morning and I am waiting on Platform 1 for my train towards Gadigal land/Sydney. 11 hours and 17 minutes through the lands of many people lie ahead of me, a first journey out of the city I’ve been calling home for most of this year by now. The day unfolds with the sun rising steadily, making me blink into the rich greens beyond the windows. The endless blue sky promises plenty to the eucalyptus trees standing patiently below it. It’s quiet on the train as it is rattling through industrial sites and country towns of rural Australia. Shallow ponds and creeks line the tracks. A bittersweet sight, with fire warnings ahead for the next months. Three years of rain have replenished what was ravished in the last ones. Only to be burned down again by the time next year comes around. The different shades of green, ochre and yellow pass, a few red bricks and grain silos in between before the soil turns red too. By the time I arrive in Lavender Bay, the sun has started to set and the night welcomes me in marginally warmer streets. I walk down the steps and unlock the door to my small studio. It’s crisp inside but nothing another body next to me couldn’t fix. You’re right behind me anyway, with your hand on my back. The last drink of the night is still lingering on my mind as we watch the sunrise of the harbour. Elderflower and lavender, one of many favourite combinations coming together in one of my all time favourite drinks - a negroni bianco. 30 ml gin30 ml lillet30 ml suzé lemon zest twistlavender flowers add to a mixing glass with ice, stir 20-30 secgently run lavender along the rim of serving glassadd ice to serving glass&amp; strain mix into itsqueeze lemon twist a cm or two away from the glass, then add as garnish <img width="2095" height="2805" width_o="2095" height_o="2805" data-src="https://freight.cargo.site/t/original/i/518cd6cd2880ad9131defe0337a983b4d2b3573a74883ca2fa028976b6808049/000080840025.jpg" data-mid="191074979" border="0" src="https://freight.cargo.site/w/1000/i/518cd6cd2880ad9131defe0337a983b4d2b3573a74883ca2fa028976b6808049/000080840025.jpg" /> SNACKING A sunny winter day has me sipping an espresso at my favourite cafe down Darebin Roadthe sun is piercing through a few lonely clouds on to the tables and benches warming those lucky enough to be off on a Monday I pass my time walking across the empty parking lot listening to Five Easy Hot Dogs Wandering onto High StreetAnd beyond, grateful that spring has finally come Nasturtiums are starting to bloom againtheir orange and yellow flowers brighten up the early walks to work and it is almost as though they have timed their return with an ease that is settling back into my mindMaybe it’s just the start of spring after many, many months of winterMaybe it is letting go and&nbsp; beer batter fried olives and golden beetrootsas many pitted olives as you want &lt;3two golden beetrootsfor the batter200g flour1 tsp cornstrach2 tsp baking powder1 can of beer salt/ pepper to taste 2 tsp sumac2 tsp garlic powder1 tsp onion powder for the aioli4-6 cloves of garlic 120ml evoosalt1 tsp lime juice breadcrumbsneutral oil to fry in thinly slice beetrootsmix all batter ingredients togethercoat beetroot slices and olive in batter, then breadcrumbsfry on high heat til golden brownseason with flaky salt mash garlic&nbsp; use an immersion blender to combine with salt and lime juiceslowy introduce oil to create an emulsion dip fried bits into aioli and please share with friendly faces :) <img width="2048" height="3089" width_o="2048" height_o="3089" data-src="https://freight.cargo.site/t/original/i/7d66b7175cd8cc4750ffe49840e7c6e00d01457af3b129d17dc8fbd9f65cb7e1/000080840006.jpg" data-mid="191074423" border="0" src="https://freight.cargo.site/w/1000/i/7d66b7175cd8cc4750ffe49840e7c6e00d01457af3b129d17dc8fbd9f65cb7e1/000080840006.jpg" /> WEEDING Absentmindedly working my way through clover and weeds, I try not to disrupt the garden bed too much for it will only let more weeds return with the next growth spurt. With soil on my hands I turn to today’s lunch. A simple salad is on the menu and a leek and potato gratin. I couldn’t tell you what it is about the soil that makes me soften my thoughts so thoroughly. It’s like I dissociate but with a newly found focus. I dive hands first into the tangled up roots of whatever has been on mind. And I resurface, not only with fertile calmness but also a fresh harvest. I find inspiration amongst the greens. Their resilience, their eagerness to burst through aerated earth and concrete alike. A caterpillar makes its way into my palms, reaching up towards the sun that’s hidden behind my head. I let it go, but watch it closely as it crawls to the sturdy leaves of bok choy just below my knees. leek and potato gratin handful of potatoes half a leek thoroughly fresh thyme (vegan) cheese for the sauce400ml plant based milknutritional yeast to taste 3 tbsp oil1-2 tbsp apple cider vinegar1 tbsp mustard2 garlic cloves2-4 tbsp flour wash leek and slice no thicker than 1cmthinly slice potatoes garlic bechamelblend all sauce ingredients except flour and cook in a pan on low to medium heatadd flour and keep stirring until sauce comes togther stir in nutritional yeast in an oiled a oven dish layer sliced potatoes and leeks, add bechamel and a bit of cheesetop with thyme leavesrepeat until dish is filled, then top with cheesecover with aluminium foil or lid, only remove it in the final 10 minutesbake for 40-60 min at 180˚ garden salad with pickle brine and mustard vinaigretteseasonal mixed garden greenscaperssun-dried tomatoes evoopickle brinegrainy mustardsalt/ pepper to taste you don’t need me to tell you how to make a salad <img width="2042" height="2805" width_o="2042" height_o="2805" data-src="https://freight.cargo.site/t/original/i/4445b9b05e7da8aaa2f19e2af1310a2f5e7d4dbdaff56542b96e925f9401cc6b/000080840029.jpg" data-mid="191074588" border="0" src="https://freight.cargo.site/w/1000/i/4445b9b05e7da8aaa2f19e2af1310a2f5e7d4dbdaff56542b96e925f9401cc6b/000080840029.jpg" /> FALLING Rain is running down the window by your bed. Faintly, the scent of Eucalyptus trees creeps through the open windowYou taste like cigarettes and sage sours and as I melt into your arms the rain’s drowning out the last thoughts I have before fully giving in and fallingasleep first,for you second. sage sour2 oz whiskey2 tbs aquafaba or 1 egg white1 oz orange juice1 1/2 tbs maple syrupfew leaves of fresh sage mix all ingredients in shaker (or a tupperware if you’re broke and desperate) shake first without ice to build foam, then a second time over ice to strengthen foam strain to remove sage leaves over ice into serving glassgarnish wiht a fresh sage leaf or orange peel <img width="2048" height="3089" width_o="2048" height_o="3089" data-src="https://freight.cargo.site/t/original/i/f43a64a0849aa950bc4148cea9f7d5a67aa5ec80cb28d428520029aaa51d9959/000080840032.jpg" data-mid="191076529" border="0" src="https://freight.cargo.site/w/1000/i/f43a64a0849aa950bc4148cea9f7d5a67aa5ec80cb28d428520029aaa51d9959/000080840032.jpg" /> SEEKING The first time I made this jam, I had tears in my eyes but today’s another day. I doubt I will grow tired of searching for the new. I doubt the restlessness will ever go away but somehow by going so far, mentally and physically, I have gotten somewhere old and new simultaneously. Not the place I thought I would yet somehow the it is the place I always knew I’d settle for. I like drinking red wine on white sheets, dancing in sunlit rooms at (un)godly hours and loosing myself in sounds and city scapes. With many cities and many love(r)s in my heart, I dance myself away at times but there is one that will always come out above. A city of water, a city of wind. A city so dear to my heart, I already longed for it before I even left. Tears of laughter shed over many glasses of red wine and tears of love shared on dance floors west and north of town. Seeking new shores is a strange sensation only to realise you’re so in love that everyday is a perfect Sunday. Szechuan pepper corns are tingling on my tongue reminding me of everyone I’ve shared this jam with and exciting for those that have yet to taste it. blueberry and szechuan pepper jam 250g blueberries3 tbsp sugar2-3 tbsp chai seeds1-2 tbsp lemon juiceszechuan pepper to taste heat fruit in pan with sugar an lemon juicestir occasionally add szechuan pepper corns once the fruits have broken down add chia seeds and remove from heat to let them settle and soak up last bits of the juice&nbsp; on past lives lived and imagined (zine) https://phoebemaxalice.cargo.site/on-past-lives-lived-and-imagined-zine Fri, 14 Jul 2023 03:29:19 +0000 meandering thoughts https://phoebemaxalice.cargo.site/on-past-lives-lived-and-imagined-zine <img width="2478" height="3498" width_o="2478" height_o="3498" data-src="https://freight.cargo.site/t/original/i/129a9ce71a1a63dbd5b4b3fad8d357481f0794a0d280fbb77972b45a974c2a0d/lives-zinepg1.jpg" data-mid="241860201" border="0" src="https://freight.cargo.site/w/1000/i/129a9ce71a1a63dbd5b4b3fad8d357481f0794a0d280fbb77972b45a974c2a0d/lives-zinepg1.jpg" /><img width="4962" height="3498" width_o="4962" height_o="3498" data-src="https://freight.cargo.site/t/original/i/de5e16c64ca7e3f81a2ebd230f6cada8a376ec943c954fe5b42d0d51fbe5f0b6/liveszinepg2-3.jpg" data-mid="241860202" border="0" src="https://freight.cargo.site/w/1000/i/de5e16c64ca7e3f81a2ebd230f6cada8a376ec943c954fe5b42d0d51fbe5f0b6/liveszinepg2-3.jpg" /><img width="4962" height="3498" width_o="4962" height_o="3498" data-src="https://freight.cargo.site/t/original/i/f6fd41187e573261454139b21751e0cf40c6b5dceb301d8c9bbcc9a5ea90b0ed/liveszinepg4-5.jpg" data-mid="241860208" border="0" src="https://freight.cargo.site/w/1000/i/f6fd41187e573261454139b21751e0cf40c6b5dceb301d8c9bbcc9a5ea90b0ed/liveszinepg4-5.jpg" /><img width="4962" height="3498" width_o="4962" height_o="3498" data-src="https://freight.cargo.site/t/original/i/bddfb9a346e2e12e3378a765ff895de7e30b70116c0d7a9cd5c0aed56537bb0d/lives-zine-pg-6-7.jpg" data-mid="241860209" border="0" src="https://freight.cargo.site/w/1000/i/bddfb9a346e2e12e3378a765ff895de7e30b70116c0d7a9cd5c0aed56537bb0d/lives-zine-pg-6-7.jpg" /><img width="2478" height="3498" width_o="2478" height_o="3498" data-src="https://freight.cargo.site/t/original/i/696e8669a223d4d19b902fb619b10c8d83bd130c25b8563078f4604c0856ca48/past-lives-pg-8.jpg" data-mid="241860210" border="0" src="https://freight.cargo.site/w/1000/i/696e8669a223d4d19b902fb619b10c8d83bd130c25b8563078f4604c0856ca48/past-lives-pg-8.jpg" /> Notes1 this a classic 8 page folded zine made in a workshop hosted by Kim Mumm Hansen and Ashley Ronning at the Centre for Contemporary Photography in Naarm/Melbourne&nbsp;2 the text is a reflection on my early days of living in the city and conversation I had with a dear friend about moving and the notion of home 3 the materials are cut riso prints glued onto an A3 paper and handwritten text And as I am walking through these big hilly streets I can’t help but feel like I have already spent many hours walking here. My directional sense always works in favour of me getting lost in streets without truly loosing my path but here I’ve caught myself feeling at home and at ease before I - realistically - could feel like that. Or maybe I’ve just learned to shoot roots quickly over the years. There are familiar faces on the streets that radiate warthm like long missed friends do and yet no here knows me. No one knows how much I’ve cried to be here. Or how many times I tried to tell my parents. Thought of different ways or the best time to have that conversation.&nbsp; A friend spoke of past lives the other day and it’s been stuck on my mind... as much as I don’t believe in much of that, I can’t help but feel so rooted, so connected and wonder why. I revisit this thought on the Yarra Trams, in galleries, at home. And on the markets, where I stumble into another old friend; mushrooms. Like mycellium, it wasn’t always clear I was (going to be) here, but there was a network in place, waiting for the right season to fruit. I merely followed the paths carved by mycellia of past lives, lived and imagined.&nbsp; Naarm, week 13 of 2023 to have tasted it or Die Freizügigkeit (zine) https://phoebemaxalice.cargo.site/to-have-tasted-it-or-Die-Freizugigkeit-zine Fri, 14 Jul 2023 03:04:29 +0000 meandering thoughts https://phoebemaxalice.cargo.site/to-have-tasted-it-or-Die-Freizugigkeit-zine new scans soon x Notes1 this zine was hand written and glued onto countless letters from the Dutch ministry of education that I had received during my time as a student in The Netherlands2 this was the first lockdown project I embarked on. it is a testament of my state of mind of those early weeks of the Covid-19 pandemic and&nbsp;it was triggered by the realisaiton that my ID had run out and I had no way of getting a new valid one in the forseeable future3 all images had been taken on previous travels around Europe with my canon ae-1 and kodak color plus film or disposable kodak cameras